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Monday, 04 May 2009 14:59
 

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Pergolesi: Magnificat and Stabat Mater (2010)

S. Bryan Priddy, Artistic Director

Aimee Hurst Bozarth, Associate Artistic Director

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1-6 Magnificat :: Giovanni Battista Pergolesi (1710-1736)
 1. Magnificat (chorus)  sample
 2. Et Misericordia (soprano/alto duet)  sample
 3. Deposuit Potentes (chorus)  sample
 4. Suscepit Israel (tenor/bass duet)  sample
 5. Sicut Locutus Est (chorus)  full
 6. Sicut Erat in Principio (chorus)  sample
 7. Lamento sopra la morte Ferdinando III  sample


8-11 Trio Sonata in C Major, Op. 4, no.1 :: Arcangelo Corelli (1653-1713)

 8. Preludio-Largo     
 9. Corrente-Allegro     
 10. Adagio    
 11. Allemanda-Presto    

12-24 Stabat Mater :: Giovanni Battista Pergolesi (1710-1736)
 12. Stabat mater dolorosa (chorus)  sample
 13. Cujus animam gementem (soprano solo)  sample
 14. O quam tristis et afflicta (chorus)  sample
 15. Quae moerebat dolebat (alto solo)  sample
 16. Quis est homo qui non fleret (soprano/alto duet)  sample
 17. Pro peccatis suae gentis (chorus)  sample
 18. Vidit suum dulcem natum (soprano solo)  full
 19. Eja, mater, fons amoris (alto solo)  sample
 20. Fac ut ardeat cor meum (chorus)  full
 21. Sancta mater, istud agas (soprano/alto duet)  sample
 22. Fac ut portem Christi mortem (alto solo)  sample
 23. Inflammatus et accensus (chorus)  sample
 24. Quando corpus morietur (semi chorus)/Amen (chorus)  sample

 

 About the Recording

Pergolesi: Magnificat and Stabat Mater is a recording that came to be as a result of collaborative efforts between two of Fort Worth's premiere performing organizations. Several recordings exist of these two famous works. However, there are no known complete recordings of these works that have been recorded by an all-boys choir, including the solo movements performed by boys, and recorded at Baroque pitch on Baroque instruments. From a performance perspective, this recording attempts to fill all of these parameters. In addition, the inclusion of complementary instrumental selections by Schmelzer and Corelli provide opportunity to record beautiful Baroque works that may be lesser known, but that deserve more recognition and exposure.

About the Directors

S. Bryan Priddy assumed the position of Artistic Director of the Texas Boys Choir in August of 2008. He holds music degrees from Georgia State University, The Southern Baptist Theological Seminary, and the Eastman School of Music. Prior to his work with the Texas Boys Choir, Mr. Priddy served as Director of Music at Peachtree Presbyterian Church in Atlanta, Georgia and as Director of Choral Activities at Whitworth College in Spokane, Washington. His college and church choirs have performed regularly at regional American Choral Directors Association conventions. During his more than 25 years as a school and church music director, Mr. Priddy has presented more than 100 workshops and seminars on choral music, vocal pedagogy, and the art of choral conducting.


Kristin Van Cleve is principal Second Violin with the Dallas Opera Orchestra and is Artistic Director and Principal Violinist of the historical performance ensemble, Texas Camerata. As a baroque violinist, she has performed in Boston, Washington, D.C., France, Mexico and throughout the Southwest. Ms. Van Cleve is also concertmaster of several other historical instrument ensembles, including the Orchestra of New Spain and the Denton Bach Society, and has performed with Apollo's Fire, the Cleveland Baroque Orchestra. She also maintains an active private teaching studio in Dallas, and performs with the Fort Worth Symphony. Ms. Van Cleve serves as concertmaster of the Wichita Falls Symphony and will perform The Butterfly Lover's Concerto with the orchestra during the 2010-2011 season.

Last Updated on Friday, 15 January 2010 20:58